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"Lubaina Himid"



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© » KADIST

Lubaina Himid

Drawing & Print (Drawing & Print)

In 2007 Lubaina Himid began a series of works she later called Negative Positives: The Guardian Archive (2007-2017). What started out as a one-year project, in the year celebrating the bicentenary of the abolition of slavery in the UK, continued for a decade. Taking a page or a spread of The Guardian (the most liberal newspaper in the UK and her newspaper of choice), Himid sought to expose the unconscious bias manifested in a paper that prides itself on its non-discriminatory policies.

Untitled
© » KADIST

Lubaina Himid

Drawing & Print (Drawing & Print)

In 2007 Lubaina Himid began a series of works she later called Negative Positives: The Guardian Archive (2007-2017). What started out as a one-year project, in the year celebrating the bicentenary of the abolition of slavery in the UK, continued for a decade. Taking a page or a spread of The Guardian (the most liberal newspaper in the UK and her newspaper of choice), Himid sought to expose the unconscious bias manifested in a paper that prides itself on its non-discriminatory policies.

Lubaina Himid

© » ROYAL ACADEMY

about 3 months ago (02/12/2024)

Bernardine Evaristo on the role of the artist | Article | Royal Academy of Arts Caption toggle button Bernardine Evaristo on the role of the artist By Bernardine Evaristo Published on 29 January 2024 The award-winning novelist examines why contemporary artists of all disciplines are addressing imperial history in new ways...

© » ROYAL ACADEMY

about 3 months ago (02/12/2024)

Start here: Entangled Pasts, 1768–now | Article | Royal Academy of Arts Caption toggle button Start here: Entangled Pasts, 1768–now Published on 29 January 2024 Past and present collide in our powerful exhibition in the Main Galleries this spring...

© » AESTHETICA

about 3 months ago (02/09/2024)

Aesthetica Magazine - Colonial Context: Art in Conversation Colonial Context: Art in Conversation In 2021, the Royal Academy of the Arts, London, began investigating its own connections to the colonial atrocities of the British Empire...

© » COLOSSAL

about 3 months ago (02/09/2024)

From a satellite orbiting Earth for seven years in celebration of Robert Henry Lawrence, Jr., the first Black astronaut, to a pulsing neon human skeleton that illuminates Rosalind Franklin’s contributions to the field of science, Tavares Strachan embraces technology and experimental processes to reframe historic narratives...

© » THEARTNEWSPER

about 3 months ago (02/06/2024)

February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books blog February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Our round-up of the latest art publications Gareth Harris 6 February 2024 Share Glenn Brown , contributors include Hans Werner Holzwarth, Taschen, 474pp, £750 (hb) This new monograph gives an in-depth overview of the work of the UK artist Glenn Brown, known for his reproductions of other artists’ works—including those byOld Masters, the greats of Modern art and science-fiction illustrators—which he transforms by radically reconfiguring their colour, orientation and size...

© » THE GUARDIAN

about 3 months ago (02/04/2024)

Entangled Pasts: Art, Colonialism and Change review – the most radical show in the RA’s history | Art | The Guardian Skip to main content Skip to navigation Skip to navigation The First Supper (2021-23), Tavares Strachan’s lifesize recreation of Leonardo da Vinci’s The Last Supper in the Royal Academy’s courtyard, the parts all played by heroes of Black history...

© » LONDONIST

about 4 months ago (01/12/2024)

Art Exhibitions To See In London February 2024 | Londonist The Top Exhibitions To See In London: February 2024 By Tabish Khan Tabish Khan The Top Exhibitions To See In London: February 2024 Looking for an awesome London exhibition this February? Here's our roundup of must-see shows in the capital, plus two additions outside of London...

© » ROYAL ACADEMY

about 5 months ago (12/18/2023)

Video: attitudes to nudity in art | Blog | Royal Academy of Arts Marina Abramović in the Main Galleries Video: attitudes to nudity in art Read more Become a Friend Video: attitudes to nudity in art Published 14 December 2023 Watch Marina Abramović discuss her performance ‘Imponderabillia’ first performed over 40 years ago...

© » ROYAL ACADEMY

about 5 months ago (12/12/2023)

Video: introducing 'Entangled Pasts, 1768–now: Art, Colonialism and Change' | Blog | Royal Academy of Arts Lubaina Himid RA in her studio Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Read more Become a Friend Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Published 2 November 2023 Artist Lubaina Himid RA talks to us about our next exhibition in the Main Galleries...

© » ARTSY

about 5 months ago (12/06/2023)

Jesse Darling wins the Turner Prize...

© » LONDONIST

about 5 months ago (12/05/2023)

London's Must-See Exhibitions In 2024 | Londonist The Must-See London Exhibitions To Look Forward To In 2024 By Tabish Khan Tabish Khan The Must-See London Exhibitions To Look Forward To In 2024 Want to know what exhibitions have got us excited for the year ahead? Read on, as we pick our highlights...

© » ARTLYST

about 5 months ago (12/05/2023)

In the notable annals of contemporary art, one accolade stands as a career topper, and that is the Turner Prize...

© » ROYAL ACADEMY

about 9 months ago (08/01/2023)

Discover the diary of Sir Joshua Reynolds PRA | Blog | Royal Academy of Arts Sir Joshua Reynolds, PRA, pocket book © Photo: Royal Academy of Arts, London Discover the diary of Sir Joshua Reynolds PRA Read more Become a Friend Discover the diary of Sir Joshua Reynolds PRA Published 14 July 2023 On the 300th anniversary of the birth of our first president Sir Joshua Reynolds, we’ve digitised his diary for the first time...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Muriel and Freddy Salem have curated an outstanding contemporary art collection that is set to be exhibited in the south of France...

© » THE INDEPENDENT

about 29 months ago (12/21/2021)

Reviews | The Independent Reviews Culture Mark Hudson Dürer’s Journeys may spell an end to classic blockbuster exhibitions Culture Mark Hudson Dark energy meets technical mastery in Royal Academy’s Constable show Reviews Anicka Yi’s In Love With The World has overweening intentions Culture Mark Hudson Poussin and the Dance shows a youthful look at the painter Reviews Noguchi at Barbican shows unstoppable optimism of an undersung artist Reviews Turner Prize: Art comes second to the happy-clappy spirit of lockdown Reviews Mixing It Up: Painting Today is a big, punchy show with an upbeat vibe Culture Mark Hudson Ben Nicholson at Pallant House makes for a poignant exhibition Culture Mark Hudson Ben Nicholson at Pallant House makes for a poignant exhibition Reviews Alice: Curiouser and Curiouser at the V&A is a visual joy Culture Aindrea Emelife Richard Hamilton – Respective is a restless showcase of the pop artist Reviews Aindrea Emelife Freedman and White at Pallant House are full of life and fervour Reviews Reflections: Van Eyck and the Pre-Raphaelites, review Reviews Two exhibitions at Pallant House Gallery shine light on women’s work Reviews Mantegna and Bellini review: 'Distinct masters of their craft' Reviews Ian Hislop I Object: An eclectic collection of objects about objecting Reviews Mark Wallinger, review: Cerebral japery fails to stimulate Reviews David Hockney, review: Little more than casual crowd-pleasers Reviews Bomberg, review: This work feels rough-hewn, hard-won Reviews Dorothea Lange, review: These photographs have a fearless honesty Reviews A Midsummer Night's Dream, review: Unalloyed fun from start to finish Reviews Thomas Cole: Eden to Empire, National Gallery, review Reviews RA Summer Exhibition, review: Grayson Perry blows the dust off it Reviews Howard Hodgkin Last Paintings, review: Only one great work Reviews Aftermath: Art in the Wake of World War One, Tate Britain, review Reviews Alexander Calder, review: See him with fresh eyes Reviews Edward Bawden, review: Good wallpaper for the adult nursery Reviews Our Kisses Are Petals, Lubaina Himid, review: Dancingly alive Reviews Artists at Work, review: A fine show which demands close attention Reviews Shape of Light, review: Clangorously dull and yawn-worthy Reviews Rodin and the art of ancient Greece, review: Has a lovely panache Reviews Rose Wylie, review: Few painters are more arrestingly, pleasingly odd Reviews Beatriz Milhazes, review: Visually seductive Reviews Monet and Architecture, review: familiar paintings fling out Reviews Van Gogh and Japan, review: Delves into this subject as never before Reviews Langlands & Bell review: A feat of artistic endeavour Reviews Wim Wenders, review: Wenders loves blur because life itself is a blur Reviews Tacita Dean, review: It's like experiencing bursts of short cinema Reviews All Too Human, review: It all seems a bit too dutiful and sombre Reviews Charles I: King and Collector, review: Magnificently staged Reviews Andreas Gursky, review: Great and fascinating detail Reviews Modigliani, Tate Modern, review: This exhibition is just right Reviews Erté review: Not the best place for a new generation to discover him Reviews Red Star Over Russia, review: A furious flurry of visual stimulation Reviews Impressionists in London review; The show is deceptive Reviews Monochrome, National Gallery, review: I was not bowled over by it Reviews Cézanne Portraits review: No one ever smiles in his works Reviews Paula Rego, review: Storytelling is at the heart of everything Reviews Soutine's Portraits, review: He characterises his sitters wonderfully Reviews The Dutch in Paris, Van Gogh Museum, review: Underwhelming show Reviews Dali/Duchamp review: Often silly but sometimes lovely juxtaposition Reviews Jasper Johns review: The extraordinary nature of the ordinary Reviews Basquiat review: Art is drowned by fame-frothy noise and visuals Reviews Rachel Whiteread review: Fairly significant but also, a little dull Reviews Edinburgh Festival: Douglas Gordon, art review Reviews Matisse in the Studio, Royal Academy, London, review Reviews Soul of a Nation, Tate Modern, review Reviews The Encounter, National Portrait Gallery, review Reviews Sargent: The Watercolours review: Overwhelming dullness Reviews Sheela Gowda: Confidence is shown in the artist’s simple storytelling Reviews Fahrelnissa Zeid, review: She never stopped making art during her life Reviews Grayson Perry review: His entire career is boundless attention-seeking Reviews Mondrian, The Hague, review: How much branding can a dead man take? Reviews Hokusai: Beyond the Great Wave review: Room to breathe and reflect Reviews Anthony Caro: Paper Like Steel, review Reviews Alberto Giacometti at Tate Modern review: What variety there is here Reviews Picasso: Minotaurs and Matadors review: Extravagantly choreographed Reviews Chris Ofili: Weaving Magic review: It's curiously lacklustre Reviews Becoming Henry Moore review: His work could be better lit Reviews Imagine Moscow exhibition: How humanity scaled down its ambitions Reviews Howard Hodgkin: Absent Friends review: He made so many portraits Reviews Gillian Wearing and Claude Cahun review: Gender surrealism Reviews America after the Fall review: A show of highly significant paintings Reviews Wolfgang Tillmans review: Does he deserve to be taken so seriously? Reviews Photographs by Vanessa Bell and Patti Smith, review Reviews Revolution: Russian Art, review: Reviews Keith Tyson Turn Back Now review: A peacockish exercise in showing off Reviews G...